re: Prefer to sing or play; re: Hendrix influence; 'Look At Little Sister' (album version) <Phone calls> re: John Hammond re: Awards won re: Why 'Come On' is 'Part 3'; re: Playing like SRV vs. Hendrix; 'Rude Mood' live in Rockline radio studio; re: How he obtained #1; re: Buddy Guy and Mary Had a Little Lamb; re: keyboards on Stangs Swang; re: Reese joining the band; re: Bowie/Montreaux; re: Earl King/Let's Dance licks from AKing; re: Montreaux experience; re: Stevie clarifies that the complete song title is 'Say What Soul To Soul'; 'Say What' (album version); re: How long been playing; re: What does he like about blues; re: What he does outside of music; re: Playing bass with T-Birds and playing with Jimmies band in '68/'69; "Life Without You" (album version); re: Charlie Wirtz; re: Lonnie Mack and making Strike Like Lightning; re: Austin blues scene/Antones/Continental Club; "Pride and Joy" live in Rockline radio studio; re: First job/grease vat; re: Flunking music theory in school; re: How many guitars he owns; re: How he got No. 1; re: Joe Sublett as a guest of the band and hiring a horn section in the future; "Change It" (album version) note that at the end of the song Stevie segues into a studio ending of Change It really cool!; re: where the name Double Trouble came from; re: Doing a live album and the possible sources?he talks about the Carnegie Hall show and a Montreaux show with Johnny Copeland.
Radio Broadcast
Life Without You